apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Holy Family
The Holy Family by Luca Signorelli

plate no. 7325

The Holy Family

Luca Signorelli, 1490

oil, woodHigh Renaissancereligious paintingfiguresreligiousfamilybookslandscape
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and subtle color mixing to achieve realistic skin tones and fabric textures. It also encourages careful observation of light and shadow to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and colors of the background and figures using thin washes.

  3. step 03

    Develop the skin tones of the figures, paying attention to subtle variations in color and value.

  4. step 04

    Render the drapery, focusing on the folds and highlights to create a sense of volume.

  5. step 05

    Add details to the faces, hands, and books, using small brushes and precise strokes.

  6. step 06

    Refine the lighting and shadows to enhance the three-dimensionality of the figures.

  7. step 07

    Add final details to the background landscape.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of depth.

color palette

primary · red ochre · raw umber · ivory black · titanium white

secondary · cadmium yellow · viridian · ultramarine blue

Achieve skin tones by mixing white, red ochre, and a touch of raw umber. Use glazes of ultramarine blue and viridian to create depth in the shadows.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Using colors that are too saturated.
  • →Failing to create a sense of depth and volume.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red ochre, raw umber, ivory black, titanium white, cadmium yellow, viridian, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael