apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Hills from Cadborough, Sunset
The Hills from Cadborough, Sunset by Lucien Pissarro

plate no. 4491

The Hills from Cadborough, Sunset

Lucien Pissarro, 1913

oilImpressionismlandscapelandscapehillstreesfieldsskypath
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as using broken color techniques to represent light and texture in a landscape. Students will also learn to simplify complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the horizon line, the winding path, and the major shapes of the hills and trees.

  2. step 02

    Establish the sky with a thin wash of pale lavender and yellow, blending softly.

  3. step 03

    Block in the large areas of green in the fields and hills, using a mix of greens, yellows, and blues.

  4. step 04

    Add darker values to indicate shadows and depth in the trees and hills.

  5. step 05

    Introduce broken color by layering small strokes of different colors (greens, yellows, blues, browns) to create texture and visual interest.

  6. step 06

    Define the path with varying shades of green and brown, suggesting its winding form.

  7. step 07

    Add details to the trees, using short, broken strokes to create the impression of foliage.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed to create a sense of depth and atmosphere.

color palette

primary · sap green · yellow ochre · ultramarine blue

secondary · burnt umber · titanium white · cadmium yellow light

Mix greens by combining yellow ochre and ultramarine blue. Use white to lighten values and create pastel hues. Add small amounts of burnt umber to darken greens and create earth tones.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and not simplifying the scene.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of value contrast in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·viewfinder

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann