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home·artworks·The head of the Roman youth
The head of the Roman youth by Sergey Solomko

plate no. 8632

The head of the Roman youth

Sergey Solomko

oilArt Nouveau (Modern)portraitportraitfiguremanflowerfoliagehead
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to depict light and shadow on complex forms.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes: head, hair, flower, and leaves.

  2. step 02

    Block in the background with a light, neutral color.

  3. step 03

    Establish the basic skin tones using a limited palette of warm and cool colors.

  4. step 04

    Begin building up the form of the face, paying attention to the planes and shadows.

  5. step 05

    Add details to the hair, flower, and leaves, using varied brushstrokes to create texture.

  6. step 06

    Refine the highlights and shadows to create depth and dimension.

  7. step 07

    Add the details of the clothing.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious composition.

color palette

primary · titanium white · yellow ochre · burnt sienna · ivory black

secondary · cadmium red light · sap green · ultramarine blue

Mix skin tones by combining white, yellow ochre, burnt sienna, and a touch of red. Use blue and green to create cooler shadows. Mix greens for the foliage by combining yellow and blue.

techniques

  • ·portraiture
  • ·color mixing
  • ·blending
  • ·scumbling
  • ·layering

common pitfalls

  • →Over-blending skin tones, resulting in a flat appearance.
  • →Incorrectly proportioning facial features.
  • →Using too much black, making the painting appear muddy.
  • →Ignoring subtle color variations in the skin.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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