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The haystack by Giovanni Fattori

plate no. 6786

The haystack

Giovanni Fattori, 1870

woodImpressionismlandscapehaystackfieldlandscapehillsskyvegetation
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and using a limited color palette to achieve a harmonious landscape. Students will also practice layering and scumbling techniques to create texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the haystack, hills, and horizon line.

  2. step 02

    Establish the sky with a thin wash of muted blues and grays.

  3. step 03

    Block in the distant hills with darker greens and browns, using a slightly blurred effect.

  4. step 04

    Apply a base layer of warm browns and yellows for the field, varying the tones to suggest depth.

  5. step 05

    Begin building up the haystack with layers of browns, ochres, and tans, using short, broken brushstrokes.

  6. step 06

    Add small details to the field, such as individual plants and rocks, using darker greens and browns.

  7. step 07

    Refine the highlights and shadows on the haystack and in the field to create a sense of form and light.

  8. step 08

    Add final touches and adjust colors as needed to achieve a cohesive and atmospheric effect.

color palette

primary · raw umber · yellow ochre · titanium white

secondary · sap green · burnt sienna

Mix raw umber and yellow ochre to create the base tones for the field and haystack. Add white to lighten these colors for highlights. Use sap green sparingly to add subtle hints of vegetation.

techniques

  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using colors that are too bright or saturated, which can disrupt the harmony of the painting.
  • →Failing to create a sense of depth in the field and distant hills.
  • →Making the haystack too uniform in color and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

A slightly textured canvas will help to create a more painterly effect. Use a limited palette to simplify the color mixing process.

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related guides

color theory for painters →how to learn by studying the masters →
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