apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Hay Card
The Hay Card by Adolphe Joseph Thomas Monticelli

plate no. 0804

The Hay Card

Adolphe Joseph Thomas Monticelli, 1882

oil, panelRomanticismlandscapelandscapehay cartfigureshorsesskytrees
experienced study

Recreating this painting will help students develop skills in loose, expressive brushwork and capturing atmospheric effects with color and value. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the hay cart, horses, and figures.

  2. step 02

    Block in the sky with broad strokes of white, yellow ochre, and a touch of burnt sienna.

  3. step 03

    Establish the dark mass of the hay cart using burnt umber and a touch of blue.

  4. step 04

    Add the horses and figures with quick, gestural strokes, focusing on their general form rather than precise details.

  5. step 05

    Develop the background trees with greens, browns, and yellows, using broken brushstrokes to create texture.

  6. step 06

    Add highlights to the hay cart and figures to create depth and dimension.

  7. step 07

    Refine the details with small, expressive strokes, paying attention to the direction of light.

  8. step 08

    Add final touches and adjust values as needed to create a cohesive and atmospheric painting.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · Prussian blue · cadmium yellow · alizarin crimson

Achieve the muted tones by mixing complementary colors and using white to adjust values. Use thin washes for the sky and thicker paint for the foreground.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·alla prima
  • ·dry brushing

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the direction of light and creating a flat, unconvincing image.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·#6 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-tooth canvas to allow for good paint adhesion and texture.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke