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home·artworks·The Hat Shop
The Hat Shop by Henry Tonks

plate no. 3703

The Hat Shop

Henry Tonks

oilImpressionismgenre paintingfiguresinteriorhatsshopclothingmirror
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and rendering figures in a loose, impressionistic style. It also provides practice in depicting complex interior spaces with multiple light sources.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and major architectural elements.

  2. step 02

    Establish the overall color scheme with a thin wash of warm undertones.

  3. step 03

    Block in the main shapes of the figures and furniture, paying attention to their relative sizes and positions.

  4. step 04

    Begin layering colors to define the forms and create depth, using a limited palette.

  5. step 05

    Add details to the hats and clothing, capturing their textures and patterns with loose brushstrokes.

  6. step 06

    Refine the lighting and shadows, creating a sense of atmosphere and depth.

  7. step 07

    Add highlights to the figures and objects to create focal points.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · alizarin crimson · ultramarine blue

Achieve the muted tones by mixing the primary colors with white and small amounts of the secondary colors. Use raw umber and white for the base tones, and add burnt sienna for warmth. Mix alizarin crimson and white for the pinks in the dresses and hats.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating overly saturated colors that clash with the muted palette.
  • →Failing to establish a clear sense of depth and atmosphere.
  • →Incorrect proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·medium gloss
  • ·easel

Use a canvas with a medium texture to allow for better blending and layering. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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