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The Harvest by Frederick Morgan

plate no. 9193

The Harvest

Frederick Morgan, 1889

oilRomanticismgenre paintingfigureslandscapefieldbushesskywater
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and creating atmospheric perspective through subtle color variations. It also provides practice in rendering textures of foliage and clothing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Block in the large areas of color: sky, field, water, and the main shapes of the figures.

  3. step 03

    Establish the light source and begin to define the shadows and highlights.

  4. step 04

    Develop the details of the figures, paying attention to the folds in the clothing and the facial features.

  5. step 05

    Add details to the foliage, using a variety of brushstrokes to create texture.

  6. step 06

    Refine the background, creating a sense of depth through atmospheric perspective.

  7. step 07

    Add final details, such as the berries and the highlights on the water.

  8. step 08

    Glaze to unify the painting and adjust values as needed.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · sap green · raw sienna

Achieve the sky colors by mixing white with small amounts of yellow ochre and ultramarine blue. Mix greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Use red and burnt umber for the clothing.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated.
  • →Neglecting the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·odorless mineral spirits or water

optional

  • ·retarder medium
  • ·varnish
  • ·easel

A medium-textured canvas will work well for this painting. Consider using a limited palette to simplify the color mixing process.

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