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home·artworks·The Hanged Man's House in Auvers (The House of the Suicide)
The Hanged Man's House in Auvers (The House of the Suicide) by Paul Cezanne

plate no. 4976

The Hanged Man's House in Auvers (The House of the Suicide)

Paul Cezanne, 1873

oil, canvasImpressionismlandscapehousestreeslandscapepathskyvillage
some experience helpful

Recreating this painting will help students develop skills in layering colors and creating texture with visible brushstrokes. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the houses, trees, and path, paying attention to perspective.

  2. step 02

    Block in the main color areas with thin washes of color, establishing the overall value structure.

  3. step 03

    Begin layering thicker paint, using short, broken brushstrokes to build up texture and form.

  4. step 04

    Mix and apply subtle variations of color to create depth and interest within each area.

  5. step 05

    Focus on capturing the light and shadow patterns on the houses and foliage.

  6. step 06

    Add details such as windows, doors, and branches, using a smaller brush.

  7. step 07

    Refine the edges and contours of the forms, softening or sharpening them as needed.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · yellow ochre · viridian green · raw umber · titanium white

secondary · burnt sienna · ultramarine blue · cadmium yellow

Achieve the earthy tones by mixing yellow ochre, raw umber, and viridian green. Use white to lighten values and blue to create cooler shadows.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using colors straight from the tube without mixing them.
  • →Neglecting the importance of value in creating form and depth.
  • →Focusing too much on detail in the early stages of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish
  • ·odorless mineral spirits

Use a medium-textured canvas to enhance the impasto effect. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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