apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Green Hat
The Green Hat by George Henry

plate no. 9852

The Green Hat

George Henry, 1906

oilImpressionismportraitportraitfigureclothingflowersvasehat
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, and understanding how to create depth and form through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and proportions of the figure, vase, and hat onto the canvas.

  2. step 02

    Establish the background color with a thin wash of neutral gray.

  3. step 03

    Block in the main areas of color for the figure's clothing, skin, and hair.

  4. step 04

    Begin refining the facial features, paying close attention to the placement of the eyes, nose, and mouth.

  5. step 05

    Add details to the clothing, such as the buttons, collar, and folds in the fabric.

  6. step 06

    Paint the flowers and vase, focusing on capturing their form and texture.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the composition and details.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · viridian · yellow ochre · ultramarine blue

Mix various shades of gray by combining ivory black and titanium white. Achieve skin tones by mixing cadmium red light, yellow ochre, and titanium white, adjusting the proportions to create different hues.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·value studies
  • ·color mixing

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Using colors that are too saturated.
  • →Failing to create a sense of depth and dimension.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: ivory black, raw umber, titanium white, cadmium red light, viridian, yellow ochre, ultramarine blue
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Pre-toned canvas with a neutral color can be helpful.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann