
plate no. 9244
Thomas Hill, 1884
Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. Students will also learn how to represent complex geological formations with simplified brushstrokes and color variations.
technical profile
approach — 8 steps
Sketch the basic shapes of the canyon walls and the horizon line, paying attention to perspective.
Establish the overall value structure with a thin wash of burnt umber and raw sienna.
Block in the major color areas of the sky, distant mountains, and canyon walls.
Begin layering in details on the canyon walls, using a variety of warm and cool tones to create depth and texture.
Add the waterfall and mist, using light, airy brushstrokes.
Paint the trees and foliage in the foreground, focusing on capturing the texture and form of the leaves and branches.
Add the birds in the sky for scale and interest.
Refine the details and adjust the values to create a sense of atmospheric perspective.
color palette
primary · burnt umber · raw sienna · titanium white
secondary · ultramarine blue · yellow ochre · cadmium yellow
Mix various shades of browns and yellows with white to create the canyon walls. Use ultramarine blue and white for the sky and distant mountains. Add touches of cadmium yellow to the highlights on the rocks and foliage.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to help create the rough texture of the canyon walls. Consider using a limited palette to simplify the color mixing process.
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