apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Glory of St. Vidal
The Glory of St. Vidal by Vittore Carpaccio

plate no. 7674

The Glory of St. Vidal

Vittore Carpaccio, 1514

oilHigh Renaissancereligious paintingfigureshorsearchitecturelandscapeskyreligious
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It will also improve their understanding of Renaissance composition and color harmony.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures, architecture, and landscape elements.

  2. step 02

    Establish the basic color blocks for the background, sky, and ground.

  3. step 03

    Paint the architecture, paying attention to the light and shadow to create form.

  4. step 04

    Start painting the figures, beginning with the underpainting and gradually building up the details.

  5. step 05

    Focus on the drapery folds and the way the light interacts with the fabric.

  6. step 06

    Add details to the horse, including the harness and the texture of the coat.

  7. step 07

    Refine the facial features and expressions of the figures.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · red ochre · raw umber · titanium white · ivory black

secondary · yellow ochre · ultramarine blue · cadmium red light · gold

Achieve the muted tones by mixing earth pigments with white and small amounts of blue or red. Use glazes to create depth and luminosity in the drapery.

techniques

  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective

common pitfalls

  • →overworking the details too early
  • →inaccurate proportions of figures and horse
  • →muddying the colors by overmixing
  • →ignoring the subtle shifts in value

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red ochre, raw umber, titanium white, ivory black, yellow ochre, ultramarine blue, cadmium red light)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael