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home·artworks·The Gleaning Field
The Gleaning Field by Samuel Palmer

plate no. 1808

The Gleaning Field

Samuel Palmer, 1833

tempera, mahogany panelRomanticismgenre paintinglandscapefiguresfieldtreesskybuilding
experienced study

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as rendering figures within a landscape setting. It also provides practice in capturing the effects of light and shadow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Prepare the mahogany panel with a gesso layer.

  2. step 02

    Create a light sketch outlining the main shapes: trees, field, building, and figures.

  3. step 03

    Establish the sky with thin washes of blue and grey, blending for a cloudy effect.

  4. step 04

    Block in the dark masses of the trees and foliage using dark greens and browns.

  5. step 05

    Apply the base color for the field, a mix of yellow ochre and burnt sienna.

  6. step 06

    Begin layering colors in the field to create texture and suggest harvested crops, adding highlights and shadows.

  7. step 07

    Paint the figures, focusing on simple shapes and color variations to suggest form.

  8. step 08

    Add details to the building and foreground elements, refining the light and shadow relationships.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue · ivory black

secondary · cadmium yellow · raw umber · titanium white · alizarin crimson

Achieve the golden field color by mixing yellow ochre with burnt sienna and a touch of cadmium yellow for highlights. Darken the greens by mixing ultramarine blue with burnt umber and a touch of black.

techniques

  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors straight from the tube without mixing.
  • →Losing the overall atmospheric effect by focusing too much on individual elements.

materials

surface · Mahogany panel

required

  • ·Mahogany panel
  • ·Gesso
  • ·Tempera paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Retouch varnish
  • ·Easel

Tempera paints can be substituted with acrylics, but the drying time will be faster. Using a limited palette will help maintain color harmony.

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