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home·artworks·The Glasgow Exhibition
The Glasgow Exhibition by John Lavery

plate no. 0985

The Glasgow Exhibition

John Lavery, 1888

oilImpressionismgenre paintingfiguresinteriorbuildinglightstablesclothing
some experience helpful

This painting provides practice in capturing figures in a loose, impressionistic style and creating depth through atmospheric perspective. Students will also learn to simplify details and focus on capturing the overall mood and light.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and the main architectural elements.

  2. step 02

    Block in the background with light washes of color, establishing the overall tone and atmosphere.

  3. step 03

    Establish the dark values of the figures' clothing and the interior spaces.

  4. step 04

    Begin adding details to the figures, focusing on capturing their gestures and poses rather than precise facial features.

  5. step 05

    Add highlights to the figures and the tablecloths to create contrast and visual interest.

  6. step 06

    Paint the hanging lights, using small strokes of yellow and orange to suggest their glow.

  7. step 07

    Refine the details and adjust the values as needed to create a sense of depth and atmosphere.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · ivory black · burnt umber · raw sienna

secondary · titanium white · yellow ochre · cadmium red

Mix black and umber for dark tones, add white for highlights. Use yellow ochre and a touch of red for the warm glow of the lights.

techniques

  • ·dry brush
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Making the figures too stiff and unnatural.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated and bright.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·round brushes size 2-6
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Thin the oil paints with linseed oil for smoother application.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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