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home·artworks·The Garmisch valley
The Garmisch valley by Heinrich Bürkel

plate no. 8687

The Garmisch valley

Heinrich Bürkel

oilRomanticismlandscapemountainslakecowstreesskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic reflections in water. Students will also practice creating depth through layering and color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, lake, and foreground elements.

  2. step 02

    Block in the sky with a light blue, gradually adding subtle variations in tone.

  3. step 03

    Establish the mountain range, using progressively lighter and cooler blues as they recede into the distance.

  4. step 04

    Paint the lake, capturing the reflections of the sky and mountains.

  5. step 05

    Add the trees and foliage, paying attention to the variations in color and texture.

  6. step 06

    Paint the cows, focusing on their form and the way light interacts with their bodies.

  7. step 07

    Add the foreground details, such as rocks and grasses.

  8. step 08

    Refine the details and add finishing touches, such as highlights and shadows.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna · cadmium yellow light

Mix blues with white for the sky and distant mountains. Use burnt umber and yellow ochre for the foreground and trees, adding white to lighten the tones. Create the greens by mixing blues and yellows.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·layering
  • ·scumbling
  • ·glazing

common pitfalls

  • →Failing to establish a clear focal point.
  • →Overworking the details in the foreground.
  • →Not creating enough separation between the different planes of the landscape.
  • →Making the colors too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a high-quality canvas and oil paints for best results. Consider using a medium to thin the paint and improve its flow.

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