apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The garden bench
The garden bench by Rupert Bunny

plate no. 3842

The garden bench

Rupert Bunny, 1915

oilImpressionismgenre paintingfiguresgardenbenchtreesdresseshats
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and layering brushstrokes to create texture and form. It also provides practice in capturing the impressionistic style of light and atmosphere.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the bench.

  2. step 02

    Block in the main color areas, starting with the background foliage and the ground.

  3. step 03

    Establish the values of the figures' clothing and skin tones.

  4. step 04

    Begin layering brushstrokes to define the forms and create texture, especially in the dresses and foliage.

  5. step 05

    Mix and apply subtle color variations to capture the light and shadow.

  6. step 06

    Add details such as the facial features, the fan, and the floral pattern on the dress.

  7. step 07

    Refine the edges and blend colors where necessary to create a soft, impressionistic effect.

  8. step 08

    Add final highlights and shadows to enhance the depth and dimension.

color palette

primary · yellow ochre · ultramarine blue · titanium white · alizarin crimson

secondary · burnt sienna · sap green · violet

Achieve the muted tones by mixing complementary colors and adding white. Use thin glazes of color to build up depth and luminosity.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·wet-on-dry layering
  • ·color mixing

common pitfalls

  • →over-blending colors
  • →losing the impressionistic feel by adding too much detail
  • →incorrect proportions of the figures
  • →muddy colors

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, ultramarine blue, titanium white, alizarin crimson, burnt sienna, sap green)
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use a medium-tooth canvas to allow for texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann