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home·artworks·The Frozen Pool, March
The Frozen Pool, March by Willard Metcalf

plate no. 0489

The Frozen Pool, March

Willard Metcalf, 1909

oil, canvasImpressionismlandscaperiversnowtreeswinterlandscapeice
some experience helpful

Recreating this painting will help students practice capturing the subtle color variations in snow and water, as well as creating depth through atmospheric perspective and layering.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the river's flow and the placement of the trees.

  2. step 02

    Establish the sky with a thin wash of gray and white.

  3. step 03

    Block in the dark masses of the trees in the background, using a mix of dark greens and browns.

  4. step 04

    Add the snow-covered banks, paying attention to the subtle shadows and highlights.

  5. step 05

    Paint the river, layering different shades of gray, blue, and brown to create depth and reflections.

  6. step 06

    Add the bare trees and branches, using thin, delicate brushstrokes.

  7. step 07

    Refine the details, such as the ice formations and the texture of the snow.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · raw sienna · cadmium yellow · ivory black

Mix white with small amounts of blue and umber to create the cool tones of the snow. Use yellow ochre and burnt umber to create the warm tones of the bare trees and river banks. Add small amounts of black to darken colors and create shadows.

techniques

  • ·dry brush texture
  • ·layering
  • ·atmospheric perspective
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Making the snow too white and flat, without capturing the subtle color variations.
  • →Failing to create a sense of depth and distance in the landscape.
  • →Not paying attention to the reflections in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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