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home·artworks·The French Fan
The French Fan by Emil Carlsen

plate no. 0035

The French Fan

Emil Carlsen, 1922

oilImpressionismstill lifefanstatuebottlesstill lifefiguresbackground pattern
some experience helpful

Recreating this painting will help students develop skills in rendering subtle color variations and creating a sense of depth through layering and soft blending. It also provides practice in depicting different textures, such as the smooth glass and the intricate details of the fan.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the fan, statue, and bottles.

  2. step 02

    Establish the background color with a thin wash of color, including the subtle pattern.

  3. step 03

    Block in the main colors of the fan, statue, and bottles, paying attention to their relative values.

  4. step 04

    Begin layering colors to create depth and form, using soft blending techniques.

  5. step 05

    Add details to the fan, including the figures and intricate patterns.

  6. step 06

    Refine the highlights and shadows on the statue and bottles to create a sense of realism.

  7. step 07

    Add final details and adjust colors as needed to achieve a harmonious composition.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · viridian · alizarin crimson · yellow ochre

Achieve the muted tones by mixing complementary colors and using white to soften the intensity. The green of the statue can be created by mixing viridian with raw umber and a touch of yellow ochre.

techniques

  • ·soft blending
  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the shadows and highlights.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·viridian oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (various sizes)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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