apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Fountain
The Fountain by Frederick Carl Frieseke

plate no. 5409

The Fountain

Frederick Carl Frieseke, 1923

oilImpressionismgenre paintinggardenfigurefountainflowersbuildingchair
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and capturing light and shadow in a garden setting. Students will also learn to simplify complex forms into basic shapes and use color to create depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the building, figure, fountain, and flowerbeds.

  2. step 02

    Establish the basic color blocks for the background, focusing on the overall warm tone.

  3. step 03

    Begin layering in the foliage and flowers, using short, broken brushstrokes.

  4. step 04

    Paint the figure, paying attention to the folds of the dress and the light on the hat.

  5. step 05

    Add details to the fountain, capturing the texture of the stone and the movement of the water.

  6. step 06

    Refine the highlights and shadows throughout the painting to create depth.

  7. step 07

    Add small details like the window shutters and the pattern on the dress.

  8. step 08

    Step back and make final adjustments to the composition and color balance.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · ultramarine blue · cadmium red · sap green

Achieve the muted tones by mixing complementary colors. Use white to lighten colors and create highlights. Mix browns and blues for shadows.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-dry layering
  • ·color mixing
  • ·Impasto

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors straight from the tube without mixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the overall warm color harmony.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil or acrylic medium
  • ·palette knife
  • ·odorless mineral spirits or water

optional

  • ·easel
  • ·medium gloss
  • ·retarder

Use a canvas with a medium texture to enhance the brushstrokes. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann