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home·artworks·the Foot of Romsdalshorn to the Right
the Foot of Romsdalshorn to the Right by Hans Gude

plate no. 0047

the Foot of Romsdalshorn to the Right

Hans Gude, 1894

oilRomanticismlandscapemountainslandscapeskyfiguresbuildingsclouds
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth using value and color temperature. Students will also practice blending techniques to create soft transitions and realistic mountain forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a toned ground (e.g., burnt umber wash).

  2. step 02

    Sketch the basic shapes of the mountains, valley, and buildings, paying attention to perspective.

  3. step 03

    Block in the sky with a light, warm tone, blending it softly.

  4. step 04

    Establish the dark values of the mountains, gradually lightening them as they recede into the distance.

  5. step 05

    Paint the mid-ground with variations of green and brown, adding details to the buildings and figures.

  6. step 06

    Add highlights to the mountains and foreground to create contrast and depth.

  7. step 07

    Refine the details of the clouds and atmospheric effects.

  8. step 08

    Add final touches and adjust values as needed.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · sap green · ultramarine blue · raw sienna

Mix various shades of green by combining yellow ochre, ultramarine blue, and burnt umber. Achieve atmospheric perspective by adding white to colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·blending
  • ·glazing
  • ·scumbling
  • ·value studies

common pitfalls

  • →Overworking the details in the distant mountains.
  • →Creating harsh lines instead of soft transitions.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

A pre-toned canvas will help establish a warm undertone and simplify the painting process.

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oil painting for beginners →how to learn by studying the masters →
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