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home·artworks·The Flying Dutchman, Published in Colliers Weekly, December 8, 1900
The Flying Dutchman, Published in Colliers Weekly, December 8, 1900 by Howard Pyle

plate no. 7590

The Flying Dutchman, Published in Colliers Weekly, December 8, 1900

Howard Pyle, 1900

oilRomanticismmythological paintingshipoceanfigurepiratesstormwaves
some experience helpful

Recreating this painting will help students develop skills in depicting dynamic movement and rendering figures in a dramatic, atmospheric setting. It also provides practice in using a limited palette to create a cohesive and expressive mood.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the ship, figures, and horizon line.

  2. step 02

    Establish the overall color scheme with a thin wash of yellow ochre and raw umber.

  3. step 03

    Block in the major shapes of the ship, figures, and waves using simplified forms.

  4. step 04

    Develop the details of the ship, including the rigging, windows, and lantern.

  5. step 05

    Refine the figures, paying attention to their anatomy and clothing.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Use dry brush techniques to create texture in the waves and ship.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the atmosphere.

color palette

primary · yellow ochre · ultramarine blue · burnt umber

secondary · cadmium red · titanium white

Mix various shades of blue and brown to create the colors of the ship and ocean. Use white to lighten the colors and create highlights. Mix red and brown for the sashes.

techniques

  • ·dry brush
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Using too many colors
  • →Ignoring the overall atmospheric effect

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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oil painting for beginners →how to learn by studying the masters →
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