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home·artworks·The Flowers of Evil
The Flowers of Evil by Thomas Theodor Heine

plate no. 7359

The Flowers of Evil

Thomas Theodor Heine, 1895

oilArt Nouveau (Modern)illustrationfiguresskyflowersarchitecturelandscapesunset
experienced study

Recreating this painting will help students develop skills in portraiture, including rendering skin tones and facial features, as well as practice blending techniques to create smooth transitions and subtle shadows.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and architectural elements.

  2. step 02

    Block in the main color areas for the sky, figures, and background, using thin washes of paint.

  3. step 03

    Begin building up the skin tones of the figures, layering colors to create depth and form.

  4. step 04

    Refine the details of the faces, paying attention to the highlights and shadows.

  5. step 05

    Paint the flowers and their stems, focusing on their delicate shapes and colors.

  6. step 06

    Add details to the architectural elements, such as the urn and the window frame.

  7. step 07

    Blend the edges of the forms to create a soft, atmospheric effect.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · flesh tint · ultramarine blue · burnt umber · cadmium red

secondary · sap green · yellow ochre · payne's grey

Mix flesh tones by combining white, yellow ochre, and a touch of red. Achieve the sky's purple hue by blending blue and red. Use Payne's grey to create shadows and muted tones.

techniques

  • ·portraiture
  • ·glazing
  • ·color blending
  • ·atmospheric perspective
  • ·rendering skin tones

common pitfalls

  • →Overblending, resulting in a flat, lifeless appearance.
  • →Incorrect proportions of the figures.
  • →Getting the skin tones too saturated or unnatural.
  • →Ignoring the subtle color variations in the sky.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 0-4)
  • ·flat brushes (sizes 2-6)
  • ·linseed oil
  • ·turpentine
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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