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home·artworks·The Flowermarket On The Singel, Amsterdam, With The Munttoren Beyond
The Flowermarket On The Singel, Amsterdam, With The Munttoren Beyond by Cornelis Vreedenburgh

plate no. 9223

The Flowermarket On The Singel, Amsterdam, With The Munttoren Beyond

Cornelis Vreedenburgh, 1927

oil, canvasImpressionismcityscapebuildingswaterboatstreescityscapesky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It will also provide practice in depicting architectural details and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, boats, and horizon line.

  2. step 02

    Block in the large areas of color for the sky, water, and buildings using thin washes.

  3. step 03

    Establish the dark values of the boats and reflections in the water.

  4. step 04

    Add details to the buildings, including windows, roofs, and architectural features.

  5. step 05

    Paint the trees and foliage, using a variety of greens and browns to create depth and texture.

  6. step 06

    Refine the reflections in the water, paying attention to the distortion and color variations.

  7. step 07

    Add highlights to the buildings and boats to create a sense of light and shadow.

  8. step 08

    Apply final details and adjustments to the overall composition.

color palette

primary · burnt sienna · ultramarine blue · titanium white · yellow ochre

secondary · sap green · cadmium yellow · raw umber

Mix various shades of brown by combining burnt sienna, ultramarine blue, and yellow ochre. Achieve the sky color by mixing titanium white with a touch of ultramarine blue. Use sap green and cadmium yellow to create different shades of green for the foliage.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·rendering reflections

common pitfalls

  • →Overworking the details in the buildings.
  • →Creating too much contrast in the reflections.
  • →Using too much green in the foliage.
  • →Ignoring the atmospheric perspective.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#4 round brush
  • ·#6 flat brush
  • ·#2 filbert brush
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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