
plate no. 9493
John William Waterhouse, 1895
Recreating this painting will help students develop skills in depicting figures in a landscape and capturing the texture of different surfaces with visible brushstrokes. It also provides practice in color mixing to achieve subtle variations in light and shadow.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure and the fence.
Block in the main areas of color: sky, background trees, figure's dress, and fence.
Develop the values within each area, adding highlights and shadows to create form.
Refine the details of the figure's face and clothing.
Add the flowers and foliage, paying attention to their shape and color.
Work on the texture of the fence using visible brushstrokes.
Adjust the overall color harmony and value relationships.
Add final details and highlights.
color palette
primary · ultramarine blue · titanium white · burnt umber
secondary · yellow ochre · cadmium red light · sap green
Mix various shades of blue for the dress by adding white, umber, or a touch of red. Create the greens for the foliage by mixing yellow ochre and blue, adjusting the ratio for different tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke