apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Flower Picker
The Flower Picker by John William Waterhouse

plate no. 9493

The Flower Picker

John William Waterhouse, 1895

oil, canvasRomanticismgenre paintingfiguredressflowersfencelandscapetrees
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and capturing the texture of different surfaces with visible brushstrokes. It also provides practice in color mixing to achieve subtle variations in light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the fence.

  2. step 02

    Block in the main areas of color: sky, background trees, figure's dress, and fence.

  3. step 03

    Develop the values within each area, adding highlights and shadows to create form.

  4. step 04

    Refine the details of the figure's face and clothing.

  5. step 05

    Add the flowers and foliage, paying attention to their shape and color.

  6. step 06

    Work on the texture of the fence using visible brushstrokes.

  7. step 07

    Adjust the overall color harmony and value relationships.

  8. step 08

    Add final details and highlights.

color palette

primary · ultramarine blue · titanium white · burnt umber

secondary · yellow ochre · cadmium red light · sap green

Mix various shades of blue for the dress by adding white, umber, or a touch of red. Create the greens for the foliage by mixing yellow ochre and blue, adjusting the ratio for different tones.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·alla prima
  • ·color layering

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke