apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Flower Market
The Flower Market by Sir Lawrence Alma-Tadema

plate no. 9906

The Flower Market

Sir Lawrence Alma-Tadema, 1868

oilRomanticismgenre paintingfiguresarchitectureflowersmarketromanplants
experienced study

Recreating this painting will help students develop skills in rendering complex figures and architectural details, as well as creating depth through atmospheric perspective and color mixing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and architectural elements.

  2. step 02

    Establish the main light source and block in the large areas of color, paying attention to value relationships.

  3. step 03

    Refine the shapes of the figures and add details to their clothing and features.

  4. step 04

    Develop the architectural details, including the columns, arches, and decorative elements.

  5. step 05

    Paint the flowers and plants, using a variety of greens and colors to create texture and depth.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition and create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · ultramarine blue · raw umber · yellow ochre · titanium white

secondary · cadmium red · burnt sienna · viridian

Mix various shades of purple for the toga by combining ultramarine blue and cadmium red. Achieve the warm tones of the architecture by mixing yellow ochre, burnt sienna, and a touch of red.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·architectural rendering

common pitfalls

  • →Overworking details too early in the process.
  • →Inaccurate proportions of figures or architecture.
  • →Lack of depth and atmosphere.
  • →Muddy color mixing.
  • →Ignoring value relationships.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a toned canvas to help establish value relationships.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke