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home·artworks·The Flower in the Hair
The Flower in the Hair by Kimon Loghi

plate no. 6946

The Flower in the Hair

Kimon Loghi

oilImpressionismportraitportraitfiguregirlflowerhairshawl
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practicing soft blending techniques to create a sense of depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and flower.

  2. step 02

    Block in the background with a dark, neutral color, ensuring it's even and opaque.

  3. step 03

    Establish the main skin tones using a limited palette of warm and cool colors, focusing on the light and shadow areas.

  4. step 04

    Begin layering and blending the skin tones to create smooth transitions and subtle variations in color.

  5. step 05

    Paint the hair, using short, directional strokes to suggest the texture and form.

  6. step 06

    Add the details of the shawl, paying attention to the patterns and folds.

  7. step 07

    Paint the flower, focusing on its shape, color, and texture.

  8. step 08

    Refine the details and adjust the values to create a cohesive and harmonious composition.

color palette

primary · titanium white · cadmium red · yellow ochre · ultramarine blue

secondary · burnt umber · alizarin crimson · raw sienna

Mix skin tones by combining white, yellow ochre, cadmium red, and a touch of ultramarine blue. Use burnt umber and alizarin crimson to create deeper shadows. Achieve the flower's red by mixing cadmium red with a touch of alizarin crimson.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overblending, which can result in a flat and lifeless appearance.
  • →Incorrect proportions, which can distort the likeness of the figure.
  • →Using too much paint, which can make the painting look muddy.
  • →Ignoring the subtle variations in color and value, which can make the painting look unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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