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The Flood by Henry William Banks Davis

plate no. 9446

The Flood

Henry William Banks Davis, 1886

oilRomanticismlandscaperivercattletreeslandscapehillssky
some experience helpful

Recreating this painting will help students develop skills in depicting dynamic water movement and rendering realistic animal forms within a landscape. It also provides practice in creating atmospheric perspective and a cohesive color scheme.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, river flow, and placement of the cattle.

  2. step 02

    Establish the sky and distant hills with thin washes of color, focusing on atmospheric perspective.

  3. step 03

    Block in the large shapes of the trees and foliage, paying attention to their tonal values.

  4. step 04

    Begin layering the water, using broken brushstrokes to suggest movement and turbulence.

  5. step 05

    Roughly sketch the cattle, focusing on their proportions and poses.

  6. step 06

    Refine the details of the cattle, adding highlights and shadows to create form.

  7. step 07

    Add details to the foreground, including rocks, branches, and vegetation.

  8. step 08

    Make final adjustments to the overall composition, ensuring a harmonious balance of color and tone.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the muddy water color by mixing raw umber, burnt sienna, and white, with small amounts of blue and yellow ochre. The sky is created with diluted blues, whites, and greys.

techniques

  • ·wet-on-wet blending
  • ·broken brushstrokes
  • ·scumbling
  • ·glazing
  • ·dry brushing

common pitfalls

  • →Overworking the water, resulting in a flat, lifeless appearance.
  • →Failing to establish a clear focal point.
  • →Inaccurate proportions of the cattle.
  • →Ignoring atmospheric perspective, causing the landscape to appear flat.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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