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home·artworks·The Flatiron Building, New York
The Flatiron Building, New York by Ernest Lawson

plate no. 5778

The Flatiron Building, New York

Ernest Lawson, 1905

oil, canvas, cardboardImpressionismcityscapeflatiron buildingsnowtreescityscapestreetbuildings
some experience helpful

Recreating this painting will help students develop skills in applying impressionistic brushstrokes and understanding atmospheric perspective. It also provides practice in rendering complex architectural forms with simplified shapes and values.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the Flatiron Building, surrounding buildings, and trees, paying attention to perspective.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber and white, indicating light and shadow.

  3. step 03

    Begin blocking in the sky and snow-covered ground with broad, visible brushstrokes, using a limited palette of whites, grays, and browns.

  4. step 04

    Add details to the buildings, focusing on the patterns of windows and architectural features, using short, broken brushstrokes.

  5. step 05

    Paint the bare trees, varying the thickness and direction of the branches to create a sense of depth and texture.

  6. step 06

    Introduce subtle color variations in the snow and sky to create atmospheric effects.

  7. step 07

    Refine the details of the street and figures, paying attention to the cast shadows and reflections.

  8. step 08

    Add final touches and highlights to enhance the overall impression of light and atmosphere.

color palette

primary · titanium white · burnt umber · raw sienna

secondary · ultramarine blue · yellow ochre · ivory black

Mix various shades of gray by combining white with small amounts of burnt umber, ultramarine blue, and yellow ochre. Use raw sienna and burnt umber to create warm browns for the buildings and trees.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic effect.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the atmospheric perspective and creating a flat, lifeless image.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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