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home·artworks·The First Thanksgiving, 1621
The First Thanksgiving, 1621 by Jean Leon Gerome Ferris

plate no. 8997

The First Thanksgiving, 1621

Jean Leon Gerome Ferris, 1915

oil, canvasRomanticismhistory paintingfigureslandscapeNative AmericansPilgrimsfoodtable
experienced study

Recreating this painting will help students develop skills in figure drawing, composition, and creating depth through atmospheric perspective. It also provides practice in rendering different textures and fabrics.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to block in the main figures and compositional elements, paying attention to proportions and placement.

  2. step 02

    Establish the background landscape with broad washes of color, focusing on atmospheric perspective.

  3. step 03

    Begin painting the figures, starting with the larger shapes and gradually adding details.

  4. step 04

    Work on the clothing and fabrics, using layering techniques to create depth and texture.

  5. step 05

    Pay attention to the lighting and shadows, using value contrast to create form and dimension.

  6. step 06

    Add details to the faces and hands, capturing the expressions and gestures of the figures.

  7. step 07

    Refine the background and foreground elements, adding details such as the table, food, and ground.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and balanced composition.

color palette

primary · burnt umber · yellow ochre · titanium white · ultramarine blue

secondary · cadmium red · sap green · raw sienna

Mix various shades of brown and beige by combining burnt umber, yellow ochre, and titanium white. Achieve skin tones by mixing red, yellow, and brown with white. Use ultramarine blue and white for the sky, and add a touch of red or brown for the clouds.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·layering
  • ·blending
  • ·scumbling

common pitfalls

  • →Incorrect proportions of figures
  • →flat or lifeless skin tones
  • →lack of depth in the landscape
  • →overworking details too early
  • →muddy colors

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, yellow ochre, titanium white, ultramarine blue, cadmium red, sap green, raw sienna)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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