apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The First Council of Queen Victoria
The First Council of Queen Victoria by David Wilkie

plate no. 0739

The First Council of Queen Victoria

David Wilkie, 1838

oil, canvasRomanticismhistory paintingfiguresinteriortableclothingarchitectureroyal
experienced study

Recreating this painting will help students develop skills in portraiture, depicting complex scenes with multiple figures, and understanding atmospheric perspective. It also provides practice in rendering textures of fabric and architectural details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Focus on the key figures, starting with Queen Victoria, and gradually add details.

  4. step 04

    Develop the background and architectural elements, paying attention to perspective.

  5. step 05

    Refine the details of clothing, faces, and textures, using smaller brushes.

  6. step 06

    Adjust the values and colors to create depth and atmosphere.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the forms.

  8. step 08

    Make final adjustments and corrections to achieve a cohesive and balanced composition.

color palette

primary · burnt umber · ivory black · titanium white · cadmium red

secondary · yellow ochre · ultramarine blue · raw sienna

Achieve the skin tones by mixing white, red, yellow ochre, and a touch of umber. Use ultramarine blue and burnt umber to create deep blacks. Mix red and umber for the table cloth.

techniques

  • ·portraiture
  • ·atmospheric perspective
  • ·glazing
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of figures
  • →Overworking details too early
  • →Muddying colors by over-mixing
  • →Failing to establish a clear focal point

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (burnt umber, ivory black, titanium white, cadmium red, yellow ochre, ultramarine blue, raw sienna)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gel

Use a medium-grain canvas for better texture. Consider using a limited palette to achieve color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke