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home·artworks·The figurine maker (2nd version)
The figurine maker (2nd version) by Gerolamo Induno

plate no. 7598

The figurine maker (2nd version)

Gerolamo Induno, 1889

oil, canvasRomanticismgenre paintingfigureinteriorworkshoptablefigurinefireplace
experienced study

Recreating this painting will help students develop skills in rendering realistic textures and capturing the nuances of light and shadow in a complex interior scene. It also provides practice in depicting the human figure in a naturalistic pose.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the main elements.

  2. step 02

    Block in the large shapes and areas of color, focusing on the overall value structure.

  3. step 03

    Gradually build up the details, starting with the most important areas like the figure and the figurine.

  4. step 04

    Pay close attention to the light source and how it affects the forms and textures.

  5. step 05

    Develop the textures of the walls, floor, and furniture using various brushstrokes.

  6. step 06

    Refine the details of the figure, including the face, hands, and clothing.

  7. step 07

    Add the finishing touches, such as highlights and shadows, to create depth and realism.

  8. step 08

    Step back and assess the overall balance and harmony of the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the warm, earthy tones by mixing burnt umber and raw sienna with varying amounts of white. Use small amounts of cadmium red and ultramarine blue to create subtle color variations.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Overworking the details too early
  • →Ignoring the overall value structure
  • →Using colors straight from the tube without mixing
  • →Losing the sense of depth and atmosphere

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a medium-grit canvas for better texture. Consider using a toned canvas to establish a base color.

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