apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The figurine maker (1st version)
The figurine maker (1st version) by Gerolamo Induno

plate no. 3071

The figurine maker (1st version)

Gerolamo Induno, 1888

oil, canvasRomanticismgenre paintinginteriorfiguredogtablefireplacefigurine
experienced study

Recreating this painting will help students develop skills in rendering complex textures and capturing realistic lighting in an interior scene. It also provides practice in depicting figures and objects with accurate proportions and details.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main elements (figure, table, fireplace, dog).

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the major color areas, starting with the background and working towards the foreground.

  4. step 04

    Develop the textures of the walls, floor, and objects using varied brushstrokes and layering techniques.

  5. step 05

    Refine the details of the figure and the figurine, paying close attention to the light and shadow.

  6. step 06

    Add highlights and accents to create depth and dimension.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the overall atmosphere.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the muted tones by mixing earth tones with white and small amounts of other colors. Use glazes of burnt umber and raw sienna to create depth and warmth.

techniques

  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·chiaroscuro
  • ·broken color

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the shadows.
  • →Creating muddy colors by overmixing.
  • →Losing the overall sense of atmosphere and light.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (as listed in color palette)
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·#2 round brush
  • ·#6 filbert brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use a medium-grit canvas for better texture. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke