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The ferry by Julian Ashton

plate no. 4614

The ferry

Julian Ashton, 1893

oilImpressionismlandscaperivertreesboatfigureslandscapereflection
some experience helpful

Recreating this painting will help students develop skills in creating depth through value and texture, and in simplifying complex scenes into essential shapes and lines. It also provides practice in rendering reflections and creating a sense of atmosphere.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the horizon line and the placement of the main elements (trees, boat, water).

  2. step 02

    Establish the darkest values first, concentrating on the trees and the reflections in the water.

  3. step 03

    Gradually build up the mid-tones, using short, broken brushstrokes to create texture.

  4. step 04

    Add the lighter values to suggest highlights and reflections.

  5. step 05

    Refine the details of the boat and figures, keeping them simple and suggestive.

  6. step 06

    Pay attention to the vertical strokes in the water to create the illusion of reeds and reflections.

  7. step 07

    Soften edges and blend areas to create a sense of atmosphere.

  8. step 08

    Add final touches and highlights to enhance the overall effect.

color palette

primary · raw umber · titanium white

secondary · burnt umber · yellow ochre

Achieve the various shades of brown by mixing raw umber with white, and adding small amounts of burnt umber or yellow ochre for warmth.

techniques

  • ·dry brushing
  • ·scumbling
  • ·broken color
  • ·value studies
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Creating too much contrast, which can flatten the image.
  • →Ignoring the reflections in the water and making them too literal.
  • →Not varying the brushstrokes enough, resulting in a monotonous texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium

A toned canvas (light brown or gray) can be helpful for establishing the initial values.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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