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home·artworks·The Feast of St. Anthony in Rome
The Feast of St. Anthony in Rome by Wilhelm Marstrand

plate no. 5626

The Feast of St. Anthony in Rome

Wilhelm Marstrand, 1838

oil, canvasRomanticismgenre paintingfiguresarchitecturecityscapeanimalsprocessionsky
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and architectural details, as well as understanding atmospheric perspective to create depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major architectural elements and the placement of the figures.

  2. step 02

    Establish the background sky and the distant building using thin washes of color.

  3. step 03

    Block in the main shapes of the figures and animals, paying attention to their proportions and poses.

  4. step 04

    Start adding details to the architecture, focusing on the light and shadow patterns.

  5. step 05

    Develop the figures further, adding details to their clothing and faces.

  6. step 06

    Refine the foreground elements, including the animals and the ground.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and harmonious composition.

color palette

primary · raw umber · titanium white · ultramarine blue · yellow ochre

secondary · burnt sienna · cadmium red light · ivory black

Mix various shades of brown and grey for the buildings and figures. Use blue and white for the sky, and add small amounts of red and yellow to create warmer tones.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·architectural rendering
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overworking details too early
  • →Incorrect proportions of figures
  • →Lack of atmospheric perspective
  • →Muddying colors by overmixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to establish a base color.

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