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The farmer by Max Liebermann

plate no. 2335

The farmer

Max Liebermann, 1894

oil, canvasImpressionismgenre paintingfigurelandscapefarmerwalkingfieldbackpack
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and using loose brushwork to create texture and form. It also provides practice in mixing earth tones and capturing light and shadow with a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and the landscape.

  2. step 02

    Block in the main areas of color: the sky, field, figure's clothing, and backpack.

  3. step 03

    Start defining the figure's form with darker values, paying attention to the light source.

  4. step 04

    Develop the texture of the field using short, directional brushstrokes.

  5. step 05

    Add details to the figure's face and hands, using subtle color variations.

  6. step 06

    Refine the shadows and highlights to create depth and dimension.

  7. step 07

    Add the walking stick and any final details.

  8. step 08

    Review and adjust the overall composition and color balance.

color palette

primary · yellow ochre · burnt umber · ivory black · titanium white

secondary · cadmium red light · ultramarine blue

Mix various shades of green for the field by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Create the figure's skin tones by mixing titanium white, cadmium red light, and a small amount of yellow ochre and burnt umber.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·directional brushstrokes
  • ·limited palette

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Making the colors too saturated.
  • →Ignoring the subtle value changes that create form.
  • →Getting the figure's proportions wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (yellow ochre, burnt umber, ivory black, titanium white, cadmium red light, ultramarine blue)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a limited palette to simplify the color mixing process and create a harmonious painting. Consider using a toned canvas to establish a base color and make it easier to judge values.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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