apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The family of the violin player
The family of the violin player by Gerolamo Induno

plate no. 6595

The family of the violin player

Gerolamo Induno

oil, canvasRomanticismgenre paintingfiguresbuildingviolinfamilypovertywindow
experienced study

Recreating this painting will help students develop skills in rendering figures with realistic proportions and capturing subtle variations in skin tones and fabric textures. It will also provide practice in creating atmospheric perspective and depicting architectural details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figures and architectural elements.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure and light source.

  3. step 03

    Develop the background and architectural details, paying attention to perspective and atmospheric effects.

  4. step 04

    Refine the figures, adding details to the faces, clothing, and hands.

  5. step 05

    Work on the violin and other props, capturing their textures and forms.

  6. step 06

    Adjust the values and colors throughout the painting to create depth and harmony.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Glaze to unify the colors.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue · naples yellow

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white, with small amounts of cadmium red light for warmth. Create shadows by adding ivory black and ultramarine blue to the base skin tone mix. Mix greens by combining yellow ochre and ultramarine blue.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures
  • →Overly saturated colors
  • →Lack of depth and atmospheric perspective
  • →Poor rendering of fabric textures

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Burnt umber oil paint
  • ·Raw sienna oil paint
  • ·Ivory black oil paint
  • ·Titanium white oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke