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home·artworks·The fall in Silvaplana
The fall in Silvaplana by Ferdinand Hodler

plate no. 0603

The fall in Silvaplana

Ferdinand Hodler, 1907

oil, canvasArt Nouveau (Modern)landscapemountainslakeskyreflectionlandscape
some experience helpful

Recreating this painting will help students practice color mixing to achieve subtle variations and learn how to depict reflections in water using simplified shapes and colors. It also provides practice in creating a sense of depth through color and brushstroke variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the horizon line and the basic shapes of the mountains and their reflections.

  2. step 02

    Block in the sky with a light blue, blending it into a pale yellow near the horizon.

  3. step 03

    Apply a base layer of color for the mountains, using orange, yellow, and green.

  4. step 04

    Paint the reflections in the water, mirroring the colors and shapes of the mountains but with a slightly blurred and distorted effect.

  5. step 05

    Add details to the mountains, such as shadows and highlights, using darker and lighter shades of the base colors.

  6. step 06

    Refine the reflections by adding subtle variations in color and tone.

  7. step 07

    Add a thin blue line to separate the water from the mountains.

  8. step 08

    Add small details like the clouds.

color palette

primary · cerulean blue · yellow ochre · burnt sienna

secondary · viridian green · titanium white

Mix blue and white for the sky. Use yellow ochre and burnt sienna for the mountains, adding green for foliage. Mix blue and green for the water, lightening with white.

techniques

  • ·broken color
  • ·scumbling
  • ·simplified shapes
  • ·color mixing
  • ·reflection techniques

common pitfalls

  • →Overworking the details in the mountains, losing the simplified effect.
  • →Making the reflections too sharp and defined.
  • →Not achieving the subtle color variations in the sky and water.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·viridian green oil paint
  • ·titanium white oil paint
  • ·assorted brushes (flat and round)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to enhance the broken color effect. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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