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home·artworks·The facts of Innsbruck
The facts of Innsbruck by Achille Beltrame

plate no. 0025

The facts of Innsbruck

Achille Beltrame

oilArt Nouveau (Modern)illustrationfiguresbuildingstreetcrowdcityscapehistorical
experienced study

Recreating this painting will develop skills in figure drawing, perspective, and creating a sense of depth through layering and value control. Students will also learn to depict movement and emotion within a crowded scene.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and the building.

  2. step 02

    Focus on the perspective of the building and street, ensuring lines converge correctly.

  3. step 03

    Block in the main shapes of the figures, paying attention to their poses and gestures.

  4. step 04

    Establish the light source and begin to define the shadows and highlights on the figures and building.

  5. step 05

    Start layering colors, beginning with the darker tones and gradually adding lighter values.

  6. step 06

    Add details to the figures' clothing and faces, using fine brushstrokes.

  7. step 07

    Refine the background details, such as windows and architectural elements.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · raw umber · ivory black · yellow ochre

secondary · burnt sienna · Prussian blue · titanium white

Achieve the muted tones by mixing earth tones with small amounts of black and white. Use yellow ochre and burnt sienna to create the warm highlights on the building and figures. Mix Prussian blue with raw umber to create the darker shades of clothing.

techniques

  • ·figure drawing
  • ·linear perspective
  • ·value studies
  • ·layering
  • ·dry brushing

common pitfalls

  • →Incorrect proportions of figures
  • →Inaccurate perspective of the building
  • →Overworking details too early
  • →Muddy colors due to over-mixing
  • →Ignoring the light source

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·graphite pencils
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a smooth surface to allow for detailed brushwork. Consider using a toned canvas to establish a base value.

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