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home·artworks·The Exterior of the Holy Sepulchre and Calvary
The Exterior of the Holy Sepulchre and Calvary by David Roberts

plate no. 7354

The Exterior of the Holy Sepulchre and Calvary

David Roberts

oilRomanticisminteriorinteriorfiguresarchitecturecandlesreligiouschurch
experienced study

Recreating this painting will help students develop skills in perspective drawing, rendering architectural details, and depicting figures in an interior space with subtle lighting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the perspective and major architectural elements.

  2. step 02

    Block in the main shapes of the figures, paying attention to their proportions and poses.

  3. step 03

    Establish the base color for the walls and floor, focusing on the overall warm tone.

  4. step 04

    Add details to the architectural elements, such as the arches, columns, and frames.

  5. step 05

    Develop the figures further, adding details to their robes and faces.

  6. step 06

    Paint the candles and hanging lamps, capturing the light they emit.

  7. step 07

    Refine the details and add highlights and shadows to create depth and dimension.

  8. step 08

    Add final touches and adjust values to achieve a cohesive and atmospheric effect.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · cadmium yellow · alizarin crimson · titanium white

Achieve the warm, muted tones by mixing burnt umber and raw sienna with small amounts of black and white. Use cadmium yellow and alizarin crimson sparingly for highlights and accents.

techniques

  • ·linear perspective
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering

common pitfalls

  • →Incorrect perspective can ruin the sense of depth and space.
  • →Overworking the details can make the painting look cluttered and stiff.
  • →Inconsistent lighting can create a confusing and unrealistic effect.
  • →Neglecting the subtle color variations can result in a flat and lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a smooth surface for better detail rendering. Consider using a toned ground to unify the colors.

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oil painting for beginners →how to learn by studying the masters →
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