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home·artworks·The exit from the Mass
The exit from the Mass by Gerolamo Induno

plate no. 2184

The exit from the Mass

Gerolamo Induno

oil, canvasRomanticismgenre paintingfiguresbuildingcrowdstreetclothingarchitecture
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a crowd and capturing the atmosphere of a busy street scene using a limited palette. It also provides practice in creating depth through layering and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the architectural elements.

  2. step 02

    Establish the overall value structure by blocking in the darks and lights with thin washes of color.

  3. step 03

    Begin to refine the figures, paying attention to their proportions and gestures.

  4. step 04

    Develop the background details, using softer edges and muted colors to create depth.

  5. step 05

    Add highlights and shadows to create form and dimension.

  6. step 06

    Work on the details of the clothing and faces, using small brushes and careful observation.

  7. step 07

    Glaze thin layers of color to unify the painting and create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre

Achieve the muted tones by mixing the primary colors with each other and with white. Use small amounts of red and yellow to warm up the browns and grays.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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