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The Emperor Napoleon I by Horace Vernet

plate no. 5162

The Emperor Napoleon I

Horace Vernet, 1815

oilRomanticismportraitportraitfiguremilitary uniformgoldskyclouds
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone variations, and rendering of textures in clothing and accessories. It also provides practice in creating a sense of depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the oval composition and Napoleon's figure, paying attention to proportions and placement.

  2. step 02

    Block in the background with light grays and whites to establish the atmospheric perspective.

  3. step 03

    Establish the basic skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Begin painting the uniform, focusing on the dark green and red areas, and the gold details.

  5. step 05

    Carefully render the facial features, paying close attention to the eyes, nose, and mouth.

  6. step 06

    Add details to the uniform, including buttons, medals, and the texture of the gold epaulettes.

  7. step 07

    Refine the background and blend the edges of the figure to create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the realism of the portrait.

color palette

primary · ivory black · titanium white · cadmium red · yellow ochre

secondary · ultramarine blue · burnt umber · cadmium yellow

Mix skin tones using titanium white, yellow ochre, cadmium red, and a touch of ultramarine blue. Achieve the dark green of the uniform by mixing ivory black and cadmium yellow with a touch of ultramarine blue. Use burnt umber and cadmium yellow for the gold details.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·chiaroscuro
  • ·rendering textures

common pitfalls

  • →Incorrect proportions of the face and body.
  • →Overly harsh or muddy skin tones.
  • →Lack of attention to detail in the uniform and accessories.
  • →Flat or lifeless background.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·burnt umber oil paint
  • ·cadmium yellow oil paint

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve blending.

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