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home·artworks·The Effect of Sunlight on the Banks of the Loing
The Effect of Sunlight on the Banks of the Loing by Francis Picabia

plate no. 8246

The Effect of Sunlight on the Banks of the Loing

Francis Picabia

oilImpressionismlandscaperivertreesskycloudsboatsfoliage
some experience helpful

This painting is great for learning impressionistic brushwork and color mixing to create atmospheric perspective. Students will practice layering colors and creating texture with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, indicating the horizon line, riverbank, and major tree masses.

  2. step 02

    Block in the sky with broad strokes of light blue, pink, and white, blending slightly.

  3. step 03

    Establish the water with horizontal strokes of blue, purple, and hints of green, reflecting the sky.

  4. step 04

    Paint the distant trees and buildings with muted greens and grays, using smaller brushstrokes.

  5. step 05

    Develop the large tree on the right with layers of green, yellow, and brown, creating a sense of volume and texture.

  6. step 06

    Add the riverbank with varied strokes of brown, green, and red, suggesting rocks and vegetation.

  7. step 07

    Paint the boats with dark colors, adding subtle highlights to suggest form.

  8. step 08

    Refine the details and adjust the colors as needed to achieve the desired impressionistic effect.

color palette

primary · ultramarine blue · titanium white · yellow ochre · alizarin crimson

secondary · viridian green · burnt umber · cadmium yellow

Mix various shades of green by combining blue and yellow. Achieve the pinks and purples in the sky by mixing red and blue with white. Use burnt umber to darken greens and create shadows.

techniques

  • ·broken color
  • ·impasto
  • ·wet-on-wet blending
  • ·scumbling
  • ·layering

common pitfalls

  • →Over-blending the colors, resulting in a muddy appearance.
  • →Using too much detail, losing the impressionistic feel.
  • →Neglecting the color variations in the sky and water.
  • →Making the tree masses too uniform and lacking texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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