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home·artworks·The Dyckman House
The Dyckman House by Ernest Lawson

plate no. 7721

The Dyckman House

Ernest Lawson, 1913

oilImpressionismlandscapesnowhousestreesfigurescarriagestreet lamp
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to represent light and atmosphere in a winter scene. It also encourages simplification of forms and capturing the overall impression rather than precise details.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the houses, trees, and figures, paying attention to the overall composition.

  2. step 02

    Establish the sky color with a light blue wash, allowing some variation.

  3. step 03

    Block in the larger areas of snow with a mix of white, blue, and ochre, varying the tones.

  4. step 04

    Add the darker values for the buildings and trees using blues, browns, and purples.

  5. step 05

    Begin applying short, broken brushstrokes to create texture and suggest detail in the snow and foliage.

  6. step 06

    Mix and apply the colors for the figures and carriage, keeping them loose and impressionistic.

  7. step 07

    Add highlights to the snow and buildings to create a sense of light and form.

  8. step 08

    Refine the details and adjust the colors as needed to achieve the desired effect.

color palette

primary · titanium white · ultramarine blue · yellow ochre

secondary · burnt umber · alizarin crimson · viridian

Mix white with small amounts of blue and ochre to create the various shades of snow. Use burnt umber and ultramarine blue to create dark neutrals for the buildings and trees. Add alizarin crimson to burnt umber for the red accents.

techniques

  • ·broken brushstrokes
  • ·color mixing
  • ·layering
  • ·scumbling
  • ·impasto

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using too much pure white and not enough color variation in the snow.
  • →Creating overly defined edges and shapes.
  • →Ignoring the subtle color shifts in the sky and snow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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