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home·artworks·the Duke of Guise and One of His Sisters, the Future Duchess of Magenta
the Duke of Guise and One of His Sisters, the Future Duchess of Magenta by Gabriel Ferrier

plate no. 6956

the Duke of Guise and One of His Sisters, the Future Duchess of Magenta

Gabriel Ferrier, 1880

canvas, oilRomanticismportraitfiguresportraitchairdraperyclothing
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating realistic skin tones, as well as rendering complex textures like fabric and hair.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and the chair.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the background drapery, paying attention to the subtle variations in color and value.

  4. step 04

    Begin refining the features of the faces, working from general shapes to specific details.

  5. step 05

    Add details to the clothing, including the lace, ruffles, and folds.

  6. step 06

    Render the chair, capturing its form and the highlights on the gold.

  7. step 07

    Refine the details of the hair, creating texture and depth.

  8. step 08

    Add final highlights and shadows to create a sense of realism and depth.

color palette

primary · crimson red · ivory black · titanium white · yellow ochre

secondary · burnt umber · raw sienna · cadmium yellow light · alizarin crimson

Mix various shades of red by combining crimson red, burnt umber, and ivory black. Create skin tones by blending titanium white, yellow ochre, and a touch of alizarin crimson.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to capture the subtle variations in color and value.
  • →Creating muddy or dull colors.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x30
  • ·oil paints (crimson red, ivory black, titanium white, yellow ochre, burnt umber, raw sienna, alizarin crimson)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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