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home·artworks·The Duchess of York
The Duchess of York by Philip de Laszlo

plate no. 8897

The Duchess of York

Philip de Laszlo, 1925

oilImpressionismportraitportraitfigurepearlsdresshairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in depicting fabric and jewelry.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and drape of the fabric.

  2. step 02

    Establish the background with a thin wash of neutral colors, paying attention to the subtle gradations of tone.

  3. step 03

    Block in the main areas of color for the skin, hair, and fabric, using a limited palette of earth tones and blues.

  4. step 04

    Begin to refine the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  5. step 05

    Develop the highlights and shadows on the skin, using subtle blending techniques to create a soft, luminous effect.

  6. step 06

    Add details to the hair, fabric, and jewelry, using smaller brushes to create texture and definition.

  7. step 07

    Refine the overall composition, adjusting the values and colors as needed to create a harmonious and balanced image.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · titanium white · raw umber · ultramarine blue · cadmium red light

secondary · yellow ochre · ivory black

Achieve skin tones by mixing white, red, umber, and a touch of blue. The blue fabric is created by mixing ultramarine with white and a touch of umber for shadows.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·color mixing
  • ·rendering fabric

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle gradations of tone in the background.
  • →Using colors straight from the tube without mixing them.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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