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home·artworks·The Drumhead Court Martial
The Drumhead Court Martial by John Pettie

plate no. 4989

The Drumhead Court Martial

John Pettie, 1856

oilRomanticismgenre paintingfiguressoldiersdrumtenttreeslandscape
experienced study

Recreating this painting will help students develop skills in rendering complex figures and drapery, as well as creating depth through atmospheric perspective. It also provides practice in capturing realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and colors, focusing on the large areas of the tent, sky, and ground.

  3. step 03

    Start defining the figures, paying attention to proportions and anatomical accuracy.

  4. step 04

    Develop the drapery and clothing, using highlights and shadows to create form and texture.

  5. step 05

    Add details to the faces and hands, capturing the expressions and gestures of the figures.

  6. step 06

    Work on the background elements, such as the trees and foliage, using loose brushstrokes to create depth.

  7. step 07

    Refine the details and add final touches, such as highlights and shadows, to enhance the overall realism.

  8. step 08

    Glaze to unify the painting and adjust values as needed.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve realistic skin tones by mixing burnt umber, raw sienna, and titanium white. Use ultramarine blue and burnt umber to create muted greens for the foliage. Mix cadmium red with burnt umber for the drum.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling

common pitfalls

  • →Incorrect proportions of figures
  • →Overworking details too early
  • →Failing to establish a clear value structure
  • →Inaccurate color mixing resulting in muddy tones

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (burnt umber, raw sienna, titanium white, cadmium red, ultramarine blue, yellow ochre, ivory black)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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