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home·artworks·The Dream City
The Dream City by Thomas Moran

plate no. 3019

The Dream City

Thomas Moran, 1919

oil, canvasRomanticismlandscapecitymountainswaterboatsskyfog
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and soft blending techniques to create a sense of depth and distance. It also provides practice in capturing subtle color variations in light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, city, and water, paying attention to the overall composition.

  2. step 02

    Establish the horizon line and the main areas of light and shadow.

  3. step 03

    Apply a thin wash of diluted paint to create the base colors for the sky, mountains, and water.

  4. step 04

    Begin layering colors, focusing on the subtle shifts in value and hue within each area.

  5. step 05

    Use soft blending techniques to create the atmospheric perspective and sense of depth.

  6. step 06

    Add details to the city and boats, keeping them soft and indistinct to maintain the dreamlike quality.

  7. step 07

    Refine the reflections in the water, paying attention to the distortion and color variations.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · titanium white · cerulean blue · yellow ochre · burnt sienna

secondary · alizarin crimson · ultramarine blue · raw umber

Achieve the misty atmosphere by mixing white with small amounts of blue, yellow ochre, and burnt sienna. Use glazes of diluted color to create subtle shifts in hue and value.

techniques

  • ·wet-on-wet blending
  • ·glazing
  • ·atmospheric perspective
  • ·soft brushwork
  • ·color layering

common pitfalls

  • →Overworking the details, losing the soft and dreamy quality
  • →Creating harsh lines or edges
  • →Using too much contrast, flattening the image
  • →Ignoring the subtle color variations in the atmosphere

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·raw umber oil paint
  • ·alizarin crimson oil paint

Use high-quality oil paints for best results. Pre-tinting the canvas with a light wash of yellow ochre can help create a warm underglow.

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