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home·artworks·The Dismissal of Cardinal Wolsey
The Dismissal of Cardinal Wolsey by Laslett John Pott

plate no. 5995

The Dismissal of Cardinal Wolsey

Laslett John Pott, 1874

oilRomanticismgenre paintingfigureslandscapebuildingtreeshistoricalarchitecture
experienced study

Recreating this painting will help students develop skills in rendering figures with accurate proportions and clothing details, as well as creating atmospheric perspective in a complex landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the architectural elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color areas, starting with the background and working towards the foreground.

  4. step 04

    Begin refining the figures, paying close attention to the details of their clothing and facial features.

  5. step 05

    Develop the landscape, adding details to the trees, foliage, and building.

  6. step 06

    Refine the lighting and shadows, creating a sense of depth and atmosphere.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the colors.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · ivory black · raw sienna

Achieve the muted tones by mixing earth tones with white and small amounts of blue or black. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·glazing
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of figures
  • →Overly saturated colors
  • →Lack of depth in the landscape
  • →Ignoring the light source
  • →Getting lost in the details too early

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall value structure.

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