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home·artworks·The destruction of the tree of liberty in Largo di Palazzo
The destruction of the tree of liberty in Largo di Palazzo by Saverio della Gatta

plate no. 1713

The destruction of the tree of liberty in Largo di Palazzo

Saverio della Gatta, 1800

gouache, watercolor, paperRomanticismgenre paintingcityscapefiguresstatuebuildingsskyflags
experienced study

Recreating this painting will help students develop skills in perspective drawing, particularly atmospheric perspective, and in rendering complex scenes with many figures. It also provides practice in mixing subtle color variations to create depth and realism.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and perspective lines of the buildings, statue, and landscape.

  2. step 02

    Establish the horizon line and vanishing points to guide the perspective.

  3. step 03

    Block in the basic colors of the sky, buildings, and ground, paying attention to the overall value structure.

  4. step 04

    Begin adding details to the buildings, including windows, architectural elements, and shadows.

  5. step 05

    Paint the statue, focusing on the light and shadow to create form.

  6. step 06

    Add the figures in the foreground and background, simplifying their shapes and colors to suggest distance.

  7. step 07

    Refine the details of the flags, banners, and other decorative elements.

  8. step 08

    Add final touches, such as highlights and shadows, to enhance the sense of depth and realism.

color palette

primary · yellow ochre · ultramarine blue · burnt umber

secondary · cadmium red · titanium white · payne's gray

Mix various shades of yellow ochre and burnt umber for the buildings. Use ultramarine blue and white for the sky, adding a touch of red for the clouds. Create muted tones by mixing complementary colors.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·dry brushing
  • ·glazing
  • ·figure drawing

common pitfalls

  • →Getting the perspective wrong, leading to distorted buildings.
  • →Overworking the details, resulting in a cluttered and unrealistic scene.
  • →Failing to create a sense of depth, making the painting look flat.
  • →Inaccurate figure proportions.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·gouache paints
  • ·watercolor paper 140lb
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 1/2 inch)
  • ·palette
  • ·water container
  • ·pencil

optional

  • ·ruler
  • ·kneaded eraser
  • ·masking fluid
  • ·palette knife

Using a larger sheet of paper will allow for more detail. Consider using a toned paper to establish a base value.

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watercolor techniques →how to learn by studying the masters →
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