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home·artworks·The departure of the conscripts of 1866
The departure of the conscripts of 1866 by Gerolamo Induno

plate no. 6252

The departure of the conscripts of 1866

Gerolamo Induno, 1878

oil, canvasRomanticismgenre paintingfiguresbuildingflaglandscapevillagecrowd
experienced study

Recreating this painting will help students develop skills in figure drawing, atmospheric perspective, and rendering complex scenes with many subjects. It also provides practice in creating a sense of depth and distance through careful color and value adjustments.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the overall composition, paying attention to the placement of the main figures and buildings.

  2. step 02

    Block in the main areas of color, starting with the sky and background landscape.

  3. step 03

    Begin to define the shapes of the buildings and the crowd of figures, using a limited palette of earth tones.

  4. step 04

    Add details to the figures, focusing on their clothing and facial features.

  5. step 05

    Refine the lighting and shadows, creating a sense of depth and atmosphere.

  6. step 06

    Add highlights to the figures and buildings to create a sense of realism.

  7. step 07

    Pay special attention to the Italian flag, ensuring that the colors are accurate and vibrant.

  8. step 08

    Add final details and adjustments to the painting, ensuring that the overall composition is balanced and harmonious.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · cadmium red · yellow ochre

Achieve the various earth tones by mixing burnt umber, raw sienna, and white in different proportions. Use ultramarine blue to cool down the shadows and create atmospheric perspective. Mix cadmium red and yellow ochre to create the warm tones in the figures' clothing and the buildings.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details in the background
  • →Failing to create a sense of depth and distance
  • →Inaccurate proportions of the figures
  • →Muddying the colors by overmixing
  • →Ignoring the importance of lighting and shadows

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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