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home·artworks·The departure for the field
The departure for the field by Gerolamo Induno

plate no. 6884

The departure for the field

Gerolamo Induno, 1866

oil, canvasRomanticismgenre paintingfigureshorsesoldiersbuildingtreeslandscape
experienced study

Recreating this painting will help students develop skills in rendering figures with accurate proportions and capturing the nuances of light and shadow to create depth and realism. It also provides practice in depicting complex textures and details in clothing and foliage.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figures, horse, and architectural elements.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure of the scene.

  3. step 03

    Develop the background elements, such as the trees and sky, using loose brushstrokes and subtle color variations.

  4. step 04

    Refine the figures, paying close attention to the details of their clothing and facial features.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Work on the horse, capturing its anatomy and texture.

  7. step 07

    Develop the architectural details of the building, including the balcony and windows.

  8. step 08

    Add final details and adjustments to unify the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use glazes of transparent colors to build up depth and richness.

techniques

  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial blocking-in stage.

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oil painting for beginners →how to learn by studying the masters →
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